Performance bus: Turku

With my arrival date set, I was invited to go along as audience on a Performance Bus™ with a bunch of spectators and performance artists. It seemed an excellent opportunity to see the surroundings of the city as well as meet people, so of course I signed up. Ever since my ask over at Metafilter I’ve been trying to come up with coping strategies for performances, and immersion therapy might be just the thing to push me over the edge into something resembling professional behaviour.

Most of the time, I’m not comfortable enough with the form to have an opinion one way or another, but insofar as I have a taste, it skews toward those performances which don’t take themselves too seriously. A group performing in the bus did so in Finnish, allowing me to fill in the blanks of their text, or rather just focus on the rhythm and rhymes — as a result their performance was one of the more interesting ones. This goes to the heart of what David Sedaris learned from his career as a performance artist:

It was the artist’s duty to find the appropriate objects, and the audience’s job to decipher meaning. If the piece failed to work, it was their fault, not yours.

[x_video_embed no_container=”true”][/x_video_embed]

Kimmo Modig, the director of Gallery Titanik was along for the ride to do a performance, and we spent the trip chatting about art and related topics, as well as chickpea pancakes. We seem to agree on many things, so he’s obviously a clever and sharp fellow. For his performance, people could help themselves to a bucket with all the money he’d received to do the performance; in the end he tossed the remainder into the river. Value-destroying performances have been done before of course, but I imagine that actually tossing fifty Euro into the drink feels different from thinking about it.

All in all, driving people around from one event to another is a good way to ensure a captivated audience, and it was a day well spend, especially with an excellent picnic at the end of it. You can read a short article in Finnish about it on uudenkaupunginsanomat.fi and in English on Facebook, and I’ll post some reviews as well once I find them. Leena Kela, who is the regional performance artist of Finland Proper (and who organised this Performance Bus, see video) does some other projects of her own which might be interesting to check out. For example, I’m going to read up on the outcome of Alter ego — being someone else for a month, and then having to refer to oneself in third person. “Yes, she was much ruder and ate a lot of cheese.”