The work of art in the age of mechanical reproduction. Part 14

Part 14 of the series “How to write like Walter Benjamin” covers chapter 12 of the essey “The work of art in the age of mechnical reproduction” and we blaze through it in less than 40 minutes. As usual, if you haven’t seen the previous episodes, I urge you do that, since there are no shortcuts in learning how to write art theory, only hard work.

Warm up your wrist, settle down comfortably, and follow along as we dig in on the last third of our series. The end is nigh, but in a good way, so I hope that you take on the challenge with gusto! Should this or any other episode stump you in any way, don’t hesitate to get in touch. Enjoy!

The work of art in the age of mechanical reproduction. Part 13

Part thirteen of the series, covering chapter 11 of Walter Benjamins essay. How to write like Walter Benjamin is a primer intended to help you write proper art theory, and if this is the first episode that you’re watching, I really recommend you to go back to the beginning and start there. If you’re writing by hand you ought to warm up before starting to write proper, and if you haven’t already, download the Andy Blunden translation which we’re using here; It’ll allow you to write at your own pace, should you find my tempo not suiting you.

The work of art in the age of mechanical reproduction. Part 12

Welcome to part twelve of “How to write like Walter Benjamin,” a series intended to help you to learn how to write proper art theory, using Walter Benjamins 1935 essay “The work of art in the age of mechanical reproduction” in the Andy Blunden translation.

Chapter 10 clocks in at less than one hour, despite being a good bit longer than the previous chapter. If you haven’t done the previous tutorials, I recommend you to check those out before coming back to this one, especially as we’re getting into the home stretch of the essay, and those of you who’ve followed along should be rather comfortable with the exercise by now.

The work of art in the age of mechanical reproduction. Part 11

Chapter nine of “The work of art in the age of mechanical reproduction” is somewhat longer than the previous one, so prepare for an hours worth of writing art theory! If you are just joining us, please start the course from the beginning; It will do you no good to drop in at this point.

We’re past the halfway mark of this tutorial series, and by now you ought to feel that writing like Walter Benjamin comes easier to you. If you’re still struggling, don’t worry about it — writing art theory is hard work and you might not get it right the first time. Revisit those episodes which give you grief, and you will soon find that studious attention will do wonders for your skill.

The work of art in the age of mechanical reproduction. Part 10

In part ten of our tutorial “How to write like Walter Benjamin” we’re going through chapter eight of the essay “The work of art in the age of mechanical reproduction.” As usual, we’re using the Andy Blunden translation, and since it’s a short chapter we’re done in less than twenty minutes.

Counting the chapters of the original essay, we’re half-way through it at this point. By now you ought to be so good at this that you’ll be coasting the rest of the series. If you have any questions or comments, please get in touch.

The work of art in the age of mechanical reproduction. Part 9

Welcome to part nine of our series How to write like Walter Benjamin where we’ve come to chapter seven of Benjamins 1935 essay The work of art in the age of mechanical reproduction.

With a slightly longer chapter, we’re clocking in at just under fifty minutes in this episode. Hopefully you’re getting the hang of the process by now, and perhaps you’re even feeling more confident about your writing. If you’ve come this far, you deserve it!

Rocks about to punk ≠ Punks about to rock.

A friend of a friend saw me run around with a camera the other day and asked if I wouldn’t take some pictures of him and his band as they were playing at Henriksberg yesterday. So in skinny jeans and with a leg pouch I climbed all over a small stage, trying to take pictures of The Bang. Usually only my mom asks me to play photographer — “and please don’t make them ‘arty,’ just make them good” — and I’m always nervous whenever I’m supposed to perform. It’s like peeing in public; I’m not a professional enough urinator to be comfortable doing it.

Reviewing the pictured I guess they’re good enough, especially when beaten into submission in post, but it’s so odd looking back at myself and not really remembering what it was I wanted to accomplish with the live shoot. Either you’re documenting live because 1) the light and set and so on are unique enough to warrant taking advantage of the situation, or 2) because you want to document the audience somehow, put the band there and then, bearing witness.

What with every other person in the audience watching the show through viewfinders or cellphone screens, I’d like to see some more effort put into making even concerts like this media friendly. Perhaps a live Bluetooth dump linked to a screen at the bar? Lighting that goes from almost pitch black to living-room, allowing the full range from fanboy to ironic girl to get their desired image. You know, like fenced hunting; The hippo might have nowhere to run, but you’ll still feel rather good about shooting it just so. (As long as you bring ear guards.)

On a side note, I might be coming down with a fever and should go to bed now. Let’s start Monday on a really shiny happy note, shall we? Try not throwing an epileptic fit looking at Jon the drummer above.

The work of art in the age of mechanical reproduction. Part 8

Part eight of the series “Write like Walter Benjamin” where you’ll learn how to write art theory with the help of Benjamins essay “The work of art in the age of mechanical reproduction,” using Andy Blundens translation. For some reason I always misspeak Andys surname as “Bloomden” and I apologise for that. Sooner or later I’ll get it right.

Today, we’ll work through chapter six, which is a short one. If you’ve followed this course from the beginning (as I keep insisting that you do) you should be getting the hang of writing art theory by now, and I hope you are excited about it.

The work of art in the age of mechanical reproduction. Part 7

We’re now more than one third through the essay, and — if you’ve been diligent — you’re one third ready to write art theory! If you’ve followed the previous episodes — and I encourage you to check those out if you haven’t — you know that we’re at chapter five of the Andy Blunden translation of Benjamins classic essay. I hope you enjoy it!

The work of art in the age of mechanical reproduction. Part 6

Here’s part six of my tutorial “How to write like Walter Benjamin” for your consideration. If you haven’t done the previous ones, I recommend you to do so before starting on this.

As usual, we’re using the 1936 essay “The work of art in the age of mechanical reproduction” by Walter Benjamin, translated by Andy Blunden.